Past Exhibition

Welcome to Sherry Leedy Contemporary Art archives.

September 6th – October 19th 2024
April 5- May 25 2024
Horse Songs consists of sculptural horse masks and works on paper. I screen-print and paint on a variety of materials such as Naugahyde, felt and paper. The images I use are abstract representations of what’s above, on and below the land. While painting, drawing and printing, I am thinking about how we contribute to society and the challenges we face currently and in our future. I consider the importance of place, being grounded with oneself and our quest to discover more about who we are as a people. I’m looking at the stars as the future, present and the past. - John Hitchcock
April 5- May 25 2024
This current series of portraits are rooted in Ho-Chunk identity.  I am extending the boundaries of photography by incorporating bead-work directly onto the photograph. The use of Ho-Chunk floral and geometric designs is a metaphor for the spirits of our ancestors who are constantly looking over us. 
April 5- May 25 2024
My fine art practice is informed by a concern for the environment, displacement, exile and the return home. I seek the unbroken relationship between modern culture and ancient lands where tradition and story are used to find meaning from dislocation and separation. I work with vulnerable landscapes and waterways which support birds, plants and animals. The migratory bird imagery in this series of artworks is drawn from zoological specimens including the Anhinga, Barred Owl and Trumpeter Swan which are accompanied by various botanical specimens, moths and snakes.  -Emily Arthur
February 2 – March 23, 2024
Sun Smith-Foret, often associated with massive sculptures, socio-political quilts, and intricate knotted sculpture nests, has taken a turn towards painting. This February we are set to showcase her new paintings. Smith-Foret describes them as- "The paintings are semi-abstract, featuring nature-derived content inspired by my current location immediately adjacent to the Mississippi River in rural Illinois. Still life observation provides another opportunity to delve into strategies of geometry, spatial and value interactions, and altered perspectives on 2D surfaces.
February 2 – March 23, 2024
Andy Ryan’s abstract watercolors contain both absurdist humor and references to mysticism and spirituality. In his paintings, surreal landscapes, ghostly figures, and botanical forms emerge from overlapping shapes and gradient color-fields. His work draws from a variety of influences, from modernism to folk art, comics, craft and design. Ryan’s undulating forms are built with colorful layers of paint, each varying in density, creating movement and visual symmetry within each piece.
February 2 – March 23 2024
Ky Anderson’s paintings and works on paper are light filled, abstract color harmonies. Compositions echo architecture, sculpture and the figure and read as poetry not prose. Sanguine has many translations and meanings, from optimistic to blood thirsty. In art, Sanguine is a color, a reddish-brown often referred to as the color of dried blood. My introduction to it was through a large bottle of ink I picked up many years ago in France. As the color worked its way into my paintings, I found it to be a versatile but specific mix of pigments. When mixed with white it leans towards orange, as opposed to a traditional red which will turn pink. Sanguine vibrates with the colors around it, saturating them with an optical spark. - Ky Anderson, 2024